Carlotta Gamba

Carlotta Gamba, born April 16, 1997, in Turin—yeah, the one up in Piedmont, Italy—isn’t just another face in the crowd. She’s steadily making a name for herself in the film world. Maybe you caught her in Vermiglio (2024), which, let’s be real, had people talking for a while. That movie? Not your generic drama—it’s got layers. Carlotta just slips into her roles like she was born for them, which, honestly, probably isn’t too far from the truth. She’s also in Dostoevskij (2024), and if you’re even a little bit into moody, brainy stuff, you’ve probably heard folks raving about that one. Gritty, intense, and just a tad philosophical, it’s exactly the kind of project that attracts actors who want to prove they’re not just in it for the glitz. Then there’s Giorni Felici. It’s not her biggest headline, but it’s one of those indie gems where you can actually see her range—like, you believe her, even in the quietest moments. That’s what sets her apart. Sure, she can do the big, emotional scenes, but it’s those subtle, blink-and-you’ll-miss-it beats that really stick with you. Born and raised in Turin, she brings a kind of grounded vibe to her work. No diva energy, just straight-up talent. People in the industry are starting to notice, and honestly, if she keeps picking roles like these, she’s one to watch.