Carrie Kim

Carrie Kim’s career is one of those you kinda stumble onto and then wonder how you missed her before. She’s got this knack for slipping into roles that stick with you long after the credits roll. If you remember Law & Order: SVU—yeah, the show that’s been running longer than most people’s attention spans—Carrie pops up there, and she’s not just filling space. She brings this edge, like she’s lived a dozen lives already. Jump forward a bit, she’s in A Window on the World (2017). Not exactly your standard Hollywood fare. The film digs into some heavy stuff—think peering into lives you’d usually just walk by on the street. Carrie’s performance? It’s subtle but gutsy, the kind you end up thinking about when you’re staring out the window yourself, wondering what’s really going on in other people’s worlds. Then there’s Sanctioning Evil (2022). That one’s grittier, way more intense. Corruption, morality, all that juicy, messy human stuff. Carrie doesn’t shy away from the darker corners. She’s got this ability to look totally at home in chaos, whether she’s part of the problem or desperately clawing her way out of it. She’s not a household name—yet—but honestly, if you start looking for her, you’ll spot her more than you’d expect. She’s the type who makes you pay attention, even if you didn’t plan to.