Personal details
- Height: 5′ 8″ (1.73 m)
- Professions: Actress, Writer, Producer
Casey Dillard, what a wild ride of a filmmaker. Honestly, if you’ve poked around the indie scene even a little, you’ve probably stumbled across her name—maybe from “Genrevolt” back in 2012, that fever dream mashup that throws genres in a blender and somehow makes it work. People still argue about what exactly was going on in that one, but everyone agrees it sticks with you. Then she pops up again with “Driven” in 2019, flipping the whole rideshare gig into this weirdly heartfelt, supernatural comedy-thriller. Like, who thinks of making a movie where a down-on-her-luck driver teams up with a demon hunter? Casey, apparently. And it’s actually hilarious—snappy dialogue, awkward tension, and that low-budget charm that makes you root for the whole crew. But don’t sleep on “The Fall of Henry” from 2011, either. It’s got way less noise around it, but there’s something raw and earnest about the way she unpacks this one guy’s slow-motion collapse. Not the easiest watch, but definitely one that gets under your skin. That’s kind of Casey’s thing—taking something familiar, giving it a twist, and serving it up with a side of very human weirdness. She acts, she writes, she directs—sometimes all at once. So yeah, her filmography might not fill a blockbuster marquee, but if you’re into movies that go their own way, she’s worth tracking down.
This one’s for the folks who get a kick out of spinning, tossing, and making objects dance in the air. We’re talking hoop dance, contact juggling, and all those wild prop manipulation skills that look straight-up magical. You know the type—someone who can keep a hula hoop spinning around their waist while simultaneously bouncing a ball along their arms like it’s got a mind of its own. It’s not just about showing off, either. There’s a real artistry to it, a kind of flow that takes years to master. People who are into this scene? They’re always chasing that perfect moment where everything clicks—hoop, ball, poi, whatever—moving in sync with their body. It’s a mix of circus vibes, street performance, and just a dash of “watch me defy gravity for a second.” Plus, it’s the kind of thing that gets a crowd’s attention, whether at a festival or just hanging out at the park.
5′ 8″ (1.73 m)
Konidela Ram Charan