Cedric Gall

Cedric Gall’s filmography is honestly a wild little ride if you’re into indie gems with a twist. First up, Rentnarok (2020) – now that’s a trip. The whole thing kind of unspools like a fever dream, with Cedric pulling viewers through this off-beat narrative about a group of roommates whose lives get turned upside down when their landlord vanishes. Suddenly, rent day turns into absolute chaos, and nobody, not even the goldfish, is safe. There’s this weird blend of dark comedy, existential panic, and surreal moments that’ll have you questioning what, exactly, you just watched. Cedric’s style? It’s unpredictable, a little cheeky, and never afraid to get weird. Then you’ve got Paradox (2012), which leans more into the sci-fi realm. Here, Cedric dives headfirst into the whole “what if you could change the past” rabbit hole. The story follows a scientist who’s honestly just done with regrets and jumps at the chance to tinker with time. Spoiler: it doesn’t go well. The film juggles timelines, butterflies flapping their wings, and all those messy consequences that come with playing God. Cedric’s knack for making you squirm in your seat and laugh at inappropriate moments really shines here. And Anima (2020)? Totally different vibe. It’s more introspective, almost dreamlike, focusing on what it means to be human when technology blurs the lines. There’s a haunting quality to it – like, you might find yourself thinking about it days later, wondering if your phone is watching you sleep. Cedric Gall’s movies always leave a mark, even if you’re not quite sure what hit you.