Cédric Iland

Cédric Iland’s got a pretty wild filmography if you’re into movies that actually make you sit up. There’s The Count of Monte-Cristo (2024), which isn’t just another dusty period piece, trust me. It’s slick, sharp, and actually kinda vicious. The whole revenge plot? Still hits hard, even with all the modern polish. You get these moments where you catch yourself rooting for the guy who should be the villain, and that’s not exactly easy to pull off, right? Then there’s What Happened to Monday (2017). Oh man, dystopian futures, authoritarian governments, and septuplets? Yeah, that movie is a fever dream in the best way. It’s messed up but fascinating, watching the sisters try to survive in a world where having siblings is basically a crime. Cédric’s work in the film—well, it’s sneaky good. He’s not in your face, but when you notice him, he just slides right into the chaos. And don’t sleep on Revenge (2017) either. It’s brutal, sun-soaked, and bloody—like, you want to look away but can’t. The energy never lets up. Cédric’s got this knack for being in movies where every choice feels dangerous, and every shot pushes you a little further into the insanity. Overall, his film picks say a lot—he’s drawn to stories with bite, style, and a little bit of madness.