Chad Sommers

Chad Sommers—yeah, that guy—he’s the dude behind Killers from ‘96. Now, this movie? It’s not your average, run-of-the-mill thriller. Imagine a tangled mess of hitmen, double-crosses, and just enough blood to keep you squirming in your seat. The story pretty much dumps you right into the chaos, with a couple of hired guns whose loyalty is about as reliable as a used car salesman’s handshake. Trust me, nobody’s making it out of this one with clean hands. So, you’ve got these two assassins—both with their own twisted code, both chasing paychecks and, honestly, probably their own doom. The thing is, every time you think you’ve figured out who’s pulling the strings, someone else pops up with a gun or a grudge. The dialogue’s sharp, a little dark, and definitely not for the faint of heart. There’s something almost grimy about the whole vibe, like you need a shower after watching. What really sets it apart? The way it refuses to let any character just be “good” or “evil.” Everybody’s got their secrets, their regrets, and their reasons for doing the messed up stuff they do. Violence isn’t just for shock—it’s messy, ugly, and often kind of sad. By the time you hit the credits, you’re left wondering if anybody really wins when everyone’s a killer. It’s gritty, it’s harsh, and, honestly, it sticks with you.