Chandru Selvaraj

Chandru Selvaraj’s journey through the world of film is kinda wild if you think about it. This guy’s got serious range—just look at the stuff he’s been involved with. A’hr (2020) is a trip, honestly. It’s not your typical mainstream flick; more like a fever dream stitched together with visuals that want to burn themselves into your skull. Chandru’s cinematography there? On another level. He knows how to make you feel the grit, the sweat, that weird sense of unease just hanging in the air. Then comes Vazhakku (2022), which, let’s be real, is a whole different beast. It’s got this raw, almost documentary vibe but doesn’t shy away from getting right up in your face with emotion. Chandru’s got this knack for pulling you right into the thick of things—like you’re eavesdropping on real lives, not just watching actors hit their marks. The way he frames a shot, the way he lets a scene breathe, it’s not just technical skill. It’s instinct, guts, and, honestly, a bit of madness. Now, 24 (2016) is a bit of a curveball. Time travel, action, Suriya doing his thing—Chandru’s eye behind the camera is what gives all that chaos a sense of flow. He juggles sci-fi spectacle with these pockets of quiet, genuine moments. Not many can pull off that balancing act without slipping into cheese, but Chandru? Smooth as butter. So yeah, Chandru Selvaraj’s body of work so far isn’t just impressive—it’s the kind of stuff that sticks with you, whether you’re a film nerd or just killing a lazy Sunday.