Chase Whitton

Chase Whitton’s got a filmography that kinda bounces around, you know? You might’ve caught him in “An Act of War” from 2015—that one’s gritty as hell, all about a tormented vet slipping between reality and paranoia. It’s not your average war flick; there’s this raw tension the whole time, and Whitton hangs in there with a performance that’s honestly pretty intense. Guy’s got range. Then there’s “The Mint” from 2022, which, yeah, switches it up. Totally different vibe, more lighthearted but still with a little edge. It dives into the music scene, chasing dreams, classic “make it or break it” story. Whitton slides into the world of underground beats, ambition, and all that chaos that comes with trying to leave a real mark. It’s messy, it’s fun, and he brings just enough swagger to keep things interesting. And look, can’t NOT mention “Don’t Fuck in the Woods” (2016). The title kinda says it all—this is campy horror at its finest, not exactly for the faint of heart (or folks with delicate sensibilities). It’s got all the slasher essentials: wild teens, questionable decisions, something nasty lurking in the shadows. Whitton just dives in, doesn’t hold back, and honestly, that’s what you want from a movie like this. So, yeah, Chase Whitton’s got a mix—serious drama, ambitious music flick, and some straight-up horror cheese. Not bad for a guy who seems ready to jump into pretty much anything.