Ciryl Gane

Ciryl Gane’s got a filmography that’s almost as unpredictable as his footwork in the octagon. First up, Den of Thieves: Pantera (2025) – it’s a high-octane crime thriller, a wild ride where the stakes keep climbing and nobody’s safe for long. The tension hangs thick in the air, and every character’s got something to hide. Gane’s presence? Yeah, it’s the kind that makes you sit up a little straighter, waiting for that next twist to punch you in the gut. Then there’s K.O. (2025). The title says it all—raw, gritty, and pulsing with adrenaline. It dives deep into the fight world, but not in that cliche Rocky way. It’s more about the chaos behind the scenes, the bruises you don’t see, and the moments right before the bell rings. Gane brings a certain edge, like he’s lived every punch and setback, and you can almost taste the sweat and desperation in the air. Don’t sleep on The Misadventures of Hedi and Cokeman (2021), though. It’s a totally different beast—a chaotic comedy where ridiculous antics and offbeat humor hijack the plot. The story stumbles through the lives of two wannabe dealers whose plans constantly unravel in the most absurd ways possible. Gane pops up, adding a curveball to the madness, and you can tell he’s in on the joke. It’s rough around the edges and totally unapologetic, not afraid to get weird or completely lose the script.