Personal details
- Height: 5′ 11″ (1.80 m)
- Birth Location: Johannesburg, South Africa
- Professions: Actor, Additional Crew, Writer
Colin Moss, born in Johannesburg to Veronica Salt and Richard Moss, is basically a walking mashup of English, Irish, Germanic, and South African roots—his granddad was a Cockney, which probably explains a lot. He kicked things off with stand-up and improv on the South African comedy scene, juggling laughs between acting gigs. The dude’s got chops, having studied acting at the University of Kwazulu-Natal, and ended up popping up everywhere on South African TV and film, basically becoming a local celeb. Internationally, Colin’s played everything from Officer DeWitt in the award-winning period drama "The World Unseen," to starring alongside Billy Zane in "Surviving Evil." He even showed up as Max in the BBC’s "Women in Love" with Rosamund Pike, plus a stint in "Momentum" sharing the screen with Olga Kurylenko, James Purefoy, and Morgan Freeman. Theater? He’s been that guy Tom in Neil LaBute’s "Fat Pig" and Paul in "My Zinc Bed" by David Hare. In 2015, he packed his bags for New York City, looking for fresh chaos, and got snapped up by The Talent House. First big break? Recurring on Marvel’s "Jessica Jones" with David Tennant and Krysten Ritter. Not too shabby. Since then, he’s popped up in "Black Mirror," worked with Bryce Dallas Howard and Alice Eve, did "The Deuce" for HBO opposite Maggie Gyllenhaal, and scored a spot in "Then Came You" with Maisie Williams and Asa Butterfield. Oh, and he played Drew Conrad in "Christmas in the Wild" next to Rob Lowe. In 2019, he landed his first American series regular gig as Hath in SyFy’s "Vagrant Queen." Guy just keeps leveling up.
refrencennSo this movie’s got a lead who’s actually wild talented—like, not your basic “oh, I dabble in music” situation, but genuinely shreds on the ukulele and saxophone. It’s not just a side note either; those skills sneak into the story in ways you wouldn’t expect. There’s this one scene where everyone’s losing it at a party and, out of nowhere, the main character grabs a ukulele and the whole vibe shifts. Later, the sax comes out during a super tense moment, and it’s honestly kind of hypnotic. The soundtrack leans into these instruments, so you’re not just watching, you’re feeling it in your bones. The music sort of mirrors the character’s mood swings—sometimes it’s all sunshine and then, bam, it’s moody jazz. Honestly, those musical moments are what set this movie apart. It’s not just background noise; it’s got heart and attitude, and you just want more.
5′ 11″ (1.80 m)
Konidela Ram Charan
Johannesburg, South Africa