Connor Flanagan

Connor Flanagan’s filmography is a wild mashup of tense thrills, icy danger, and undercover antics. First off, Beirut (2018) – man, that one’s a nail-biter. Set against the chaos of war-torn Lebanon in the ‘80s, you’ve got Jon Hamm trying to broker a hostage deal, and Flanagan slips right into the mess with this undercurrent of desperation. It’s dusty, grim, and honestly, you can almost taste the tension. Fast forward to The Ice Road (2021). This one’s a whole vibe shift – think ice, trucks, and a race against time where the ground could literally crack open beneath you. Flanagan doesn’t just stand in the background either; he’s in the thick of it, dodging disaster and making you sweat bullets. Seriously, if you’re into survival thrillers where every minute feels like an eternity, this’ll scratch that itch. Now, Hit Man (2023) is a whole other beast. Forget the ice and the bombs – this time, it’s undercover work and double lives, with Flanagan pulling off layers of charm and danger. It’s got this slick, almost tongue-in-cheek vibe, with plenty of sharp dialogue and sudden turns. You never really know who’s lying or who’s about to get played, which keeps things spicy. Altogether, Flanagan’s got range – whether he’s dodging bullets, braving the cold, or talking his way out of a corner. The dude’s film choices are all over the map, but in a good way. You won’t be bored, that’s for sure.