D. Sabareesh

D. Sabareesh isn’t exactly a household name—yet. But if you’re even half awake to new voices in cinema, this guy’s on your radar. He’s the creative mind behind “Selfie” (2022), a film that’s way more than its title suggests. Forget the shallow Instagram vibes—the story pokes at the growing obsession with self-image and the weird, messy stuff that happens when identity gets tangled up with technology. Not gonna lie, there’s a lot of raw emotion packed in, the sort of thing that lingers after the credits roll. Sabareesh brings this unfiltered energy, and you can tell he’s not afraid to get his hands dirty with tough themes. Then, cut to “Alangu” (2024), where Sabareesh takes another sharp turn. This one’s less about digital drama and more about the gritty, unpredictable side of human relationships. The plot weaves through emotional landmines, exploring betrayal, loyalty, and the stuff people do when pushed to their limits. He’s got this knack for making you squirm one minute and laugh the next—honestly, it’s a ride. His storytelling isn’t polished to a shine, but that’s kind of the point. There’s an edge, a pulse, something that feels alive and kicking. If you’re tired of cookie-cutter movies, Sabareesh is someone you’ll want to keep watching.