Personal details
- Birth Date: 1977-11-03
- Birth Location: UK
- Professions: Composer, Music Department, Actor
Daniel Pemberton’s basically one of those guys you’ve probably heard without even realizing it. Born 3rd November 1977 in the UK, he’s carved out this wild, eclectic career as a composer, tossing out soundtracks that’ll mess with your head—in a good way. If you’ve seen The Trial of the Chicago 7, you know the music just slaps differently. It’s all tension and energy, and honestly, it makes the whole courtroom drama hit harder. The dude’s got this knack for blending weird retro synths with old-school orchestration, and somehow it just works, even when it totally shouldn’t. Then there’s Steve Jobs (the movie, not the actual guy—though, who knows, maybe Daniel could've composed his ringtone?). That score is all pulsing electronics and off-kilter rhythms, kind of like what you’d expect if you tried to code while high on espresso and existential dread. It’s risky, but it pays off. He’s not just about the drama, though—Spider-Man: Across the Spider-Verse? Absolute fever dream. He goes bonkers with beats, glitchy sounds, and some mind-bending jazz. The whole thing feels like it’s in motion, just like the animation. On top of that, Pemberton’s dabbled in acting here and there, but music is really where he wreaks havoc (in the best way). The guy’s not afraid to experiment, and you can tell he’s having fun with it. He’s kind of become the go-to for directors who want their movies to sound fresh, weird, and totally unforgettable.
Back in 1994, this kid drops his debut album “Bedroom” at just sixteen. Sixteen! While most teens were still figuring out what the heck to do with their lives, he’s already out there, cranking out tracks, and probably making his classmates jealous. “Bedroom” doesn’t just sound like an album name, it’s literally where he cooked up most of those songs—no fancy studio nonsense, just pure DIY vibes. The album’s got this raw, unfiltered feel, like you’re listening in on someone’s late-night confessions. Not every track is polished, but that’s the whole charm. It’s all heart, no pretension. You can practically hear the angst, the hope, the awkwardness of being a teenager in every lyric. People didn’t really see it coming, but “Bedroom” ended up being a cult favorite, kind of a secret handshake for indie fans who love that honest, messy sound. It’s where it all started, and you can totally tell.
November 3, 1977
Konidela Ram Charan
UK
47 years old