Daniel Vignal

Daniel Vignal’s filmography is honestly a wild ride through genres most actors only dream about. You’ve got “La luna al amanecer” from 2014, which, let’s be real, isn’t your average sunrise story—it’s more like drifting through a fever dream at dawn, with that haunting vibe clinging to every shot. It’s one of those films where you’re never really sure what’s real. Then boom, fast forward to “Gong Fu Yu Jia” in 2017. Suddenly, you’re tossed into this high-octane, martial-arts-meets-comedy mashup. The guy goes from dreamy Spanish indie to Jackie Chan-level action? That’s not a normal career switch, but hey, Vignal just rolls with it, flipping between genres like it’s just another Tuesday. But then, there’s “McVeigh” in 2024—yeah, that “McVeigh.” This movie is heavy, unapologetically so. It dives into the mind of Timothy McVeigh, the Oklahoma City bomber, but don’t expect a by-the-numbers true crime drama. Vignal’s involvement brings this raw, unsettling edge, like the film’s daring you to look away but you just can’t. The tension practically buzzes off the screen. You’re dragged through moral gray areas and forced to question everything you thought you knew about evil, fanaticism, and the weird ways ideology warps people. Some folks might find it too intense, but that’s kind of the point. Vignal’s films refuse to let you sit back and relax—they want you awake, unsettled, and maybe a little haunted long after the credits roll.