Danielle Dmytraszko

Danielle Dmytraszko’s filmography is honestly kind of a wild ride—she’s popped up in some seriously different stuff over the past few years. You might’ve caught her in “Resident Evil: Welcome to Raccoon City,” that 2021 horror reboot where the zombies are gross, the action’s non-stop, and you’re kind of rooting for her to make it out alive. She didn’t just fade into the background, either—her performance added some real punch to the chaos. Then, out of nowhere, she’s in “Thanksgiving” (2023), which is this twisted horror flick that sort of pokes fun at holiday traditions while also making you never want to carve a turkey again. She’s got this way of blending into the madness, but you still remember her. And then there’s “Arthur the King” (2024), which is, like, a total 180 from the other stuff. It’s not about undead monsters or holiday bloodbaths—no, here she’s part of this adventure about endurance, hope, and, weirdly enough, a stray dog that basically steals the show. Danielle fits right in with all the heart and grit of the story, showing off some range that you might not expect if you only know her from the blood-and-guts roles. Watching her bounce from creepy, nerve-wracking horror to something genuinely uplifting just proves she’s not stuck in one box. Her career is shaping up to be this unpredictable mix, and honestly, that’s what keeps people paying attention.