David Holt

David Holt, a name bouncing around Hollywood for a bit now, isn’t exactly a household name—unless you’re obsessed with behind-the-scenes movie magic. The guy’s fingerprints are all over some pretty massive films, though. He’s been tied to Zack Snyder’s Justice League (2021), which, let’s be honest, was a wild ride for DC fans and internet trolls alike. You remember all the hype, the hashtags, the four-hour epic that finally gave some people what they wanted after years of whining about the original cut. Holt’s work helped bring that massive, CGI-heavy world to life, which isn’t exactly small potatoes. Wonder Woman (2017)? Yeah, he had a hand in that one too. That movie basically kicked the door down for DC’s female superheroes, and Holt’s contribution behind the curtain helped Gal Gadot’s Diana look as badass on-screen as she does in the comics. That blend of myth and modern-day action? He helped sell it. And then there’s Infinite (2021), which… honestly, kind of flew under the radar for a lot of folks, but it’s got this wild premise about people who remember all their past lives and have to save the world (because, of course, they do). Holt, again, did his thing to make those high-concept visuals land. His career might not be splashed across billboards, but he’s one of those people who make the impossible look easy on the big screen. Seriously, the guy’s got a knack for making blockbuster chaos look slick.