David M. Wulf

David M. Wulf isn’t exactly a household name, but if you’ve caught any buzzworthy indie flicks the last few years, odds are you’ve stumbled across his work—maybe without even realizing it. The guy’s got a knack for picking projects that stick with you, you know? Take “Call Jane” (2022), for example. The film drops you right into the thick of the women’s liberation movement, with Wulf helping bring a tense, intimate story about reproductive rights to life. It’s not just another history lesson; it’s more raw, more personal, and honestly, it hits you in the gut. Flip to “The Card Counter” (2021)—now that’s a whole different beast. This one’s a slow-burn thriller, dripping with atmosphere. Wulf’s fingerprints are all over the film’s moody pacing and tightly wound energy. It’s about a mysterious gambler with a shady past, and you can feel the tension in every scene. The movie doesn’t just shuffle cards; it messes with your head, drawing you into a world where redemption feels just out of reach. And don’t snooze on “Inheritance” (2020). The plot spirals around a wealthy family’s secrets exploding after the patriarch dies. Wulf helps crank up the suspense, mixing in a bit of dark humor with all the intrigue. You’re left second-guessing everyone, wondering who’s lying and who’s just really, really weird. All in all, Wulf’s projects aren’t for background noise—they’re the kind that grab your attention and don’t let go.