David Matamoros

David Matamoros doesn’t exactly have a household name, but the projects he’s attached to? Absolute bangers. Let’s start with “El Hoyo” (2019)—known in the English-speaking world as “The Platform.” Now, this one? A total mind-bender. Imagine a vertical prison with a hole in the middle, food dropping level by level, and everyone scrambling for scraps. The social commentary isn’t subtle, but who cares? The tension’s thick enough to cut with a butter knife. You’ll probably start questioning your own morals about halfway through. Now, “Isaac” (2020) is a different beast. This one’s a more intimate indie drama, dealing with two childhood friends who reconnect as adults. There’s a lot of emotional baggage, unresolved secrets, and, honestly, it’s the kind of film that leaves you thinking about your own relationships. No monsters, no gore, but the realness? Hits harder than a punch to the gut. Then there’s “Hævnen” (2010)—or “In a Better World,” if you’re not brushing up on your Danish. This flick actually snagged an Oscar for Best Foreign Language Film, which isn’t exactly a small feat. Think small-town drama meets global issues. It’s about revenge, forgiveness, and the messy stuff in between. The kind of movie that makes you sit there in silence when the credits roll. So yeah, Matamoros isn’t just some random name in the credits. The guy’s attached to stories that stick with you, whether you want them to or not.