David Mills

David Mills is one of those names that kind of pops up and surprises you when you start digging through the credits of some big movies. I mean, seriously, you might not immediately recognize the guy, but he’s been involved in some films that have made a splash. Take Indiana Jones and the Dial of Destiny (2023), for example. That movie had a lot riding on it—Harrison Ford dusting off the ol’ fedora again, wild stunts, and all the nostalgia you could pack in two hours. Mills worked his magic behind the scenes, making sure every beat landed and every chase felt just right. Jump ahead to The Amateur (2025)—okay, this one’s got people buzzing already, even if it hasn’t dropped yet. There’s this whole vibe of espionage, tension, double-crosses, and honestly, it’s the kind of movie you’ll probably want to see on the big screen instead of waiting for streaming. Mills is the guy who keeps the story tight and the pacing sharp, which, let’s be real, is no small feat with all these spy thrillers floating around. Then you’ve got Florence Foster Jenkins (2016), which is a total switch-up. Instead of action and explosions, it’s about this eccentric high-society lady who couldn’t sing to save her life but still packed concert halls. The film’s got heart and a wicked sense of humor, and Mills had a hand in bringing that delicate balance to life. So yeah, David Mills—he’s not always front and center, but the movies he touches? They stick with you.