Demetrio Bonilla

Demetrio Bonilla’s film lineup is basically a crash course in modern cinema’s wild side. Take “Contigo en el futuro” (2025), for example. It’s not just some run-of-the-mill sci-fi flick. Nope, this one throws you straight into a future where nothing feels nailed down—time, relationships, the whole concept of what’s real. Bonilla doesn’t waste time spoon-feeding the audience either; you’re just expected to hang on and piece things together as you go, like you’re part of the puzzle. The characters feel lost, sure, but there’s something magnetic about the way they chase hope even as everything else melts down around them. Then there’s “Technoboys” (2024), which is a totally different animal. It’s messy, loud, kind of punk rock at heart—think neon lights, retro-futurism, and a bunch of misfits hacking their way through a world that’s half virtual, half falling apart. There’s a sense of rebellion running through the whole thing, and the soundtrack? It’s got that nostalgic thump that makes you want to dig out your old headphones and blast it on repeat. And “Nadie nos va a extrañar” (2024)… man, that one hits different. It’s raw, all about people who feel invisible, who think the world wouldn’t even blink if they disappeared. Bonilla manages to make it both heartbreaking and weirdly funny at the same time. The dialogue snaps, the pacing’s tight, and you end up rooting for the underdogs even when they make terrible decisions. All in all, Bonilla’s movies aren’t afraid to get a little weird, a little real, and a whole lot memorable.