Die Hexen

Die Hexen’s resume? Oh, it’s got some serious bite. You’ve got Fréwaka (2024) leading the charge, a film that doesn’t tiptoe around the weird or the dark. It’s not your average horror flick—more like a fever dream with a pulse, mixing folklore and the supernatural with a raw, modern edge. And then there’s Double Blind (2023). This one’s a wild ride—think science experiment gone completely off the rails, a group of strangers locked in with their own secrets and a ticking clock. Tension? Off the charts. People cracking under pressure, trust issues flying everywhere, and a vibe that’s equal parts claustrophobic and addictive. But let’s not skip over You Are Not My Mother (2021), because that movie? Creepy as hell. Set in North Dublin, it tosses you into the deep end of family drama with a supernatural twist. There’s this eerie, slow-burn atmosphere, and Die Hexen’s work just wraps the whole thing in a blanket of unease. You feel it in your bones—something’s off, and it keeps you guessing. The whole trilogy of projects shows some serious range: from trippy folk horror to psychological meltdown to good old-fashioned chills. Die Hexen isn’t here for your comfort zone—they’re here to mess with your head, flip your expectations, and leave you with that deliciously uneasy feeling that maybe, just maybe, you left the lights on for a reason.