Eashvar Karthic

Eashvar Karthic’s journey through cinema is kinda wild, honestly. He’s not just your average director or screenwriter who quietly cranks out movies—nah, the guy’s got a flair for stories that actually stick with you. Start with “V1 Murder Case” from 2019. That one’s a crime thriller that doesn’t waste your time with pointless fluff. It shoves you right into the mess of a murder investigation, with a protagonist who’s both flawed and stubborn as hell. There’s suspense, there’s tension, and you’re left guessing who did it until your head hurts. Fast forward a bit, and you’ve got “Penguin” (2020). This one’s a psychological thriller, way more atmospheric. It’s got that moody, unsettling vibe, and you can tell Eashvar’s way more interested in what’s going on in the characters’ heads than just splashing blood all over the screen. The film follows a mother’s relentless search for her missing child, and honestly, it’ll make you question every character’s motive. It’s not just about the mystery, it’s about how far someone will go when pushed to the edge. Then he drops “Zebra” in 2024, and by this point, you already know he’s not playing by the rules. Eashvar keeps mixing genres, throwing in social commentary, and never really letting the audience get comfortable. He’s got this thing for making you squirm, and it works. Each movie feels like a different beast, but you can always spot his fingerprints all over them. If you like unpredictable stories and directors who don’t play it safe, Eashvar’s filmography is totally worth digging into.