Ed Talfan

Ed Talfan’s filmography is a wild ride, honestly. The guy’s got his name stamped on some seriously gritty projects. Let’s talk about "Havoc" (2025) first—this one’s got all the makings of a modern crime classic. You’ve got chaos erupting after a drug deal goes sideways, and it just spirals from there. The city’s basically crumbling, corruption everywhere, and you’re sitting there wondering if anyone’s making it out clean. It’s intense, raw, and not afraid to get its hands dirty. Then there’s "Yr Ymadawiad" (2015), which, yeah, leans way into that atmospheric, slow-burn mystery. Set against these stunning Welsh landscapes, it follows a priest and a mysterious stranger crossing paths—nothing is as it seems, obviously. There’s a ton of tension simmering under every scene, and it really digs into guilt, faith, and the darkness people carry. It’s not your typical whodunit. Way moodier, way more psychological. Now, "Apostle" (2018) is just bonkers in the best way. It’s this horror-thriller mashup where a drifter heads to a remote island to save his sister from a creepy cult. Things get bloody. Like, really bloody. And the atmosphere? Absolutely drenched in dread. You’re never quite sure what’s lurking in the shadows, and the whole thing unspools with this twisted energy that keeps you glued to the screen. Talfan’s stuff isn’t afraid to go dark, that’s for sure.