Emily Faw

Emily Faw’s resume is honestly kind of wild—she’s been around some pretty big blockbusters. If you’re into movies that keep you glued to your seat, you’ve probably caught her work without even realizing it. Let’s start with “The Invisible Man” (2020). This film’s a total mind-bender—paranoia, gaslighting, a haunting presence that you can’t see but absolutely feel. Elisabeth Moss absolutely kills it as Cecilia, a woman who’s trying to escape her abusive ex… who supposedly died. Supposedly. Yeah. But he’s got some sci-fi tricks up his sleeve, turning this into a psychological horror that feels way too real at times. It’s gritty, tense, and honestly, you’ll probably check your locks after watching. Jump to “Jurassic World: Dominion” (2022)—okay, who doesn’t love dinosaurs running amok? This one’s basically the big dino showdown, with prehistoric chaos spilling out into the modern world. You’ve got old favorites (yeah, Goldblum’s back) and new faces, all scrambling because, well, the dinos are no longer contained. The stakes are bigger than ever, and the action just doesn’t let up. Kinda nostalgic, kinda ridiculous, but in the best way. Then there’s “Shang-Chi and the Legend of the Ten Rings” (2021), Marvel’s martial arts epic. Simu Liu brings serious heart and humor, and the fight scenes? Top notch. It’s got family drama, wild fantasy creatures, and the slick Ten Rings tech. There’s a ton of emotion under all the CGI fireworks. Emily Faw’s involvement in these films? Yeah, she’s got range—thriller, action, fantasy—she’s done it all.