Erica Lee

Erica Lee’s filmography is honestly kind of wild when you really look at it—she’s popped up in some seriously gritty stuff. Take Sicario, for example. That movie’s not for the faint of heart. It’s got those tense, slow-burn moments where you’re clutching the armrest, and then suddenly everyone’s yelling and bullets are flying. Lee fits right into that world, bringing an edge that isn’t easy to fake. You get the sense she’s seen some things (or at least, she acts like she has). Now, jump to Monkey Man (2024), and it’s a whole different vibe. This film is rough, raw, and honestly kind of gnarly. There’s this energy buzzing through it—revenge, justice, chaos. Erica Lee’s presence gives the story some real backbone, balancing the madness with a touch of grit and authenticity that’s hard to ignore. And then there’s Ballerina (2025), which, let’s be real, is one of those movies you hear about and immediately want to know more. A spin-off that’s got hype flying around, especially with the whole John Wick universe tie-in. Lee’s role here? Still under wraps, but if her past work is any clue, she’s probably not just standing in the background. She seems to have a knack for picking projects with teeth, where her characters aren’t just wallpaper—they’re right in the thick of it, pushing the story forward. If her trajectory so far says anything, she’s only just getting started.