Fabrice Delville

Fabrice Delville’s filmography is a real mixed bag, honestly. You look at “The Transporter Refueled” from 2015, and you’re hit with this hyper-stylized action flick, all fast cars, gruff accents, and that slick French Riviera backdrop. It’s basically the kind of movie that throws logic out the window for a good chase scene—nobody’s complaining, right? Then, two seconds later, you’ve got “The Brand New Testament,” also from 2015. Total curveball. This one’s this weird, darkly funny Belgian comedy where God lives in Brussels and is kind of a jerk. His daughter gets fed up, leaks everyone’s death dates, and then chaos sort of erupts. It’s surreal, irreverent, and, honestly, kind of sticks in your brain after the credits roll. Flash forward to 2021, and there’s “Benedetta.” Now we’re dealing with a historical drama set in a 17th-century Italian convent. It’s not your typical period piece though; it’s wild, sexy, super controversial, and absolutely not shy about stirring up some trouble. Based on a real-life nun accused of some pretty scandalous stuff, the movie dives into religious hypocrisy and sexuality with zero chill. Delville’s involvement in these projects shows he’s not afraid to mix things up, bouncing from high-octane blockbusters to quirky dark comedies to full-on provocative drama. If you’re looking for variety, his credits pretty much guarantee you’ll never be bored.