Farandika

Farandika’s filmography is kinda wild, honestly. You’ve got The Siege at Thorn High (2025), which goes way beyond the typical high school drama. Think less mean girls, more tactical chaos. The school gets literally taken over—armed lockdown, students freaking, teachers pretending they have a plan but, come on, they’re just as scared. There’s this weird alliance between the jocks and the chess club, which, let’s be real, nobody saw coming. Underneath all the madness, it’s about finding who you really trust when stuff hits the fan. Then there’s Ancika (2024), which totally flips gears. It’s not your usual love story—more like a rollercoaster through heartbreak and healing. Ancika’s not just pining for some guy; she’s dealing with her own mess, friends dropping truth bombs, and that awkward phase where you’re not sure if you’re growing or just spiraling. The film doesn’t sugarcoat anything. It’s raw, sometimes painfully real, but it nails that feeling of picking yourself up after everything crashes. And 96 Jam (2023)? Pure nostalgia trip. It’s set in the mid-90s, but not in a cheesy “hey, look at our Walkmans” way. The vibe is all about music, skateboards, and friendships that feel bigger than life. The cast actually looks like real people, not Instagram models. There’s drama, sure, but also those stupid-funny moments you remember from being a teenager. The music basically becomes a character—old-school jams, late-night radio, mixtapes that mean everything. Farandika’s projects hit different, for real.