Fizz Hood

Fizz Hood, a name that pops up in some of the flashiest superhero flicks of the last few years. Black Widow (2021)? Yeah, that wild ride with Natasha Romanoff finally stepping out of the Avengers’ shadow and dealing with all sorts of mess from her past. You know the one—Russian spies, weird family reunions, explosions every ten minutes, and a whole lot of unresolved trauma. Fizz was in the thick of it, making those intense moments hit even harder. Then there’s The Batman (2022), which ditched the camp and went full-on gritty detective noir. Gotham’s a mess, the rain never stops, and Robert Pattinson’s Bruce Wayne is just brooding and moping in the shadows, trying desperately to figure out who’s leaving all these creepy riddles. Fizz Hood brought some serious mood to the screen, blending into that grimy, neon-soaked world like they were born for it. And Wonder Woman 1984 (2020)... okay, that one’s a total blast from the past, literally. We’re talking shoulder pads, synth music, and a rollercoaster of wishful thinking gone absolutely sideways. Diana’s juggling her secret identity, some questionable fashion choices, and—oh yeah—the return of a lost love, plus a couple of supervillains trying to rewrite reality. Fizz Hood’s work here just adds to the wild, almost surreal energy of the whole thing. So yeah, Fizz Hood isn’t just a name in the credits—they’re part of the magic that makes these blockbusters hit so hard, visually and emotionally.