Frauke Levin

Frauke Levin’s got this knack for picking projects that kinda punch you in the gut—sometimes in a good way, sometimes not so much. Like, you ever seen “16 for '16: The Contenders”? Classic political deep-dive. It’s not just some boring recap of candidates either, it actually pokes at the mess and madness behind the curtain, with Frauke steering the whole thing like she’s been living on campaign buses forever. Then you fast-forward to “Against All Enemies” in 2023, and bam, it’s a different vibe—tense, gritty, full of those moments that make you want to yell at the screen. Frauke doesn’t shy away from making viewers squirm a little; she’s got this sharp eye for the way power can twist people up. And don’t even get started on “A Faith Under Siege” (set for 2025). The buzz is already rolling and, honestly, it sounds like it’s gonna hit hard. Religion, conflict, messy human stuff, all tangled up. If her past work is anything to go by, Frauke’s not gonna sugarcoat a thing. She digs into the ugly truths, but never loses sight of what makes people tick—like, the raw, complicated stuff. You watch her films, and you can tell she actually gives a damn about the story, not just the spectacle. Whether she’s dissecting politics, tearing into corruption, or just letting the camera linger on the fallout, Frauke Levin’s films leave you chewing on big questions long after the credits roll.