G.V.N Sekhar Reddy

Lamp (2025) tosses you into this dimly lit world where every shadow seems to hide some kind of secret. The whole thing orbits around this mysterious lamp—yeah, like an actual lamp, but way more than just a vintage piece collecting dust. G.V.N Sekhar Reddy has this knack for making the ordinary feel borderline magical, or sometimes downright creepy, depending on how the light hits it. The lamp, obviously, isn’t just about brightening up the room. There’s something almost alive about it, something that messes with everyone who crosses its path. The story follows a bunch of characters, each tangled up in their own mess, all somehow drawn to this lamp. Some are chasing hope, others just want to forget their past, but the lamp seems to dig up old wounds whether you like it or not. Secrets spill out, relationships get tested, and honestly, nobody really gets out of this unchanged. The way the plot twists, you’re never quite sure who’s the real villain here—the people, or the lamp itself. Visually, the film plays with darkness and light in a way that gets under your skin. There’s tension in every flicker, and the background score isn’t shy about making you uneasy. Sekhar Reddy doesn’t just serve up a supernatural thriller—he builds this whole vibe where hope and fear are wrapped around each other, daring you to look away. Lamp (2025) isn’t just watched; it sort of haunts you after the credits roll.