Gary Young

Gary Young’s filmography stretches across a few interesting projects, but let’s zoom in on the ones that pop out. First, there’s "Mulan" from 2020. Not your typical fairytale retread—this live-action remake ditches the singing dragons and slapstick for a more grounded, action-heavy spin. You get sweeping battle scenes, martial arts that’ll make you want to do a cartwheel in your living room (don’t, unless your insurance is solid), and a heroine who basically tells everyone to shove their expectations. The stakes? Sky-high. Mulan’s gotta save her dad, keep her secret, and, you know, not get killed by a bunch of angry Huns. The visuals are slick, the pacing’s brisk, and honestly, it’s got the kind of energy that makes you forget you’re watching a Disney flick—at least until the credits roll. Now, "Ron and Alice" from 2013 is a whole different beast. Think low-key, character-driven, with a sprinkle of quirky humor. It follows these two oddball friends—Ron, who’s got his own set of issues, and Alice, who’s just trying to get by. Their chemistry? Weirdly charming. They stumble through life, making questionable decisions, but you can’t help but root for them. It’s messy, it’s real, and sometimes, it’s painfully awkward in the best way. "Harry" (also 2013) leans way more into the indie vibe. It’s small-scale, more intimate. The story digs into the everyday drama of, well, Harry—his relationships, his struggles, and those little moments that actually stick with you after the credits. No big explosions, no superheroes, just raw, honest storytelling.