Geoff Lamb

Geoff Lamb’s got a filmography that zigzags through genres, and honestly, that’s half the fun. Let’s start with “Talk to Me” (2022)—yeah, the one that creeped out a whole new generation. Geoff was right in the thick of it, piecing together the kind of tension that makes your skin crawl. The movie’s got this eerie, slow-burn vibe that really sticks. It’s not just your run-of-the-mill horror. There’s a kind of psychological edge to it, and you can tell the editing had a lot to do with that. Lamb’s work in the background keeps everything tight and unnerving, so you’re never really sure what’s coming next. Swing over to “The Marine” (2006), and the energy totally flips. This one’s all about chaos—explosions, wild chases, and brawls that don’t let up. Geoff’s editing chops are all over it, keeping the action moving so fast you barely catch your breath. There’s a kind of slickness to the way scenes jump from one wild set piece to another. He knows exactly when to hold a shot and when to cut, squeezing every ounce of adrenaline out of the big moments. And then there’s “Street Fighter” (1994). Oh man, what a trip. It’s campy, over-the-top, and pure ’90s nostalgia. Geoff helps stitch together all that madness, making sure the action flows and the cheese factor doesn’t spill over into a mess. There’s something kind of charming about how he wrangles the cartoonish fights and larger-than-life characters. Bottom line—whatever the genre, Geoff Lamb’s got a knack for making movies hit harder, run smoother, and keep you watching till the credits roll.