George Berman

George Berman’s filmography is kind of a wild ride, honestly. If you’ve ever stumbled across Clown in a Cornfield (2025), you already know the guy isn’t afraid to throw audiences headfirst into pure chaos. That film? It’s this twisted mashup of horror and small-town drama, the kind of flick that’ll make you side-eye every corn maze for the rest of your life. Seriously, the killer clown thing isn’t just some tired trope here—Berman actually manages to make it fresh, and a little too real. Then there’s My Oxford Year (2025), which swings the pendulum in a totally different direction. Suddenly, Berman drops the blood and picks up the bittersweet. The movie follows an ambitious American student chasing dreams and romance across the cobblestones of Oxford. There’s wit, heartbreak, and those moments of self-discovery that sneak up on you like a pop quiz. It’s got that charm you’d expect from a story set in the UK, but with enough edge that it never feels like a cheesy postcard. And, wow, The Outlaws Scarlett & Browne? That’s Berman flexing his muscles in the young adult adventure lane. Gunslingers, fugitives, wild landscapes—think dystopian Western with a British twist. He pulls off this gritty, fast-paced vibe where the characters actually feel like people you’d want to grab a drink with (or maybe run from). Across all these, Berman doesn’t really stick to one lane. He’s got range, and he’s not afraid to get messy with it.