Giuliano Papadia

Giuliano Papadia’s filmography is actually pretty wild when you line it up. So, first up, The Ex-Wife (2022)—honestly, it’s a tangled web of secrets, lies, and trust issues that’ll have you side-eyeing your own relationships. It’s not just your basic ex drama; this one throws you curveballs right when you think you’ve figured it out. The tension? Oh, it’s thick. You can basically cut it with a butter knife. Characters aren’t just cardboard cutouts either—everyone’s got their own agenda, and you’re never totally sure who’s telling the truth or just putting on a face. Jump to The Serial Killer’s Wife (2023), and, man, talk about suspense dialed up to eleven. Imagine thinking you know your partner, then finding out there’s a lot more under the surface—like, disturbingly more. It’s part domestic drama, part “holy crap, did that just happen?” thriller. The twists come at you quick, and the whole time you’re asking yourself, would I even notice if someone close to me had a secret like that? It’s unsettling in the best way. Then there’s Home Education (2023), which, let’s be real, is not your typical coming-of-age story. It’s got this eerie vibe throughout—think more psychological than jump scares. The setting’s claustrophobic, and the whole thing kind of messes with your head: isolation, paranoia, blurred lines between reality and imagination. Papadia just loves to keep viewers guessing, and with these three, he’s definitely carved out a niche for nail-biting, character-driven psychological drama.