Glenn Garland

Glenn Garland’s filmography is honestly kind of wild—like, the dude’s got some seriously different stuff under his belt. First up, “Poker Face” (2023). This isn’t your average crime series; it’s got Natasha Lyonne doing her thing, slinging sarcasm and solving murders with that weird human lie detector skill. Every episode is basically a new puzzle, with Glenn behind the scenes making sure the vibe stays sharp and unpredictable. It’s old-school mystery meets modern snark, and if you’re into that “Columbo” energy but with more edge, you’re gonna love it. Jump over to “IT: Welcome to Derry” (2025), which, let’s be real, people have been buzzing about since the second someone mentioned Pennywise might be back. This one’s a prequel, diving into the creepy lore of Derry, Maine, before the events of the IT movies everyone knows. There’s that slow, skin-crawling build-up—shadowy townsfolk, kids on bikes, and the sense that something is always lurking just off-screen. Glenn’s editing style brings out all those Stephen King chills, and honestly, he knows how to stretch out that tension till you’re practically chewing your nails. And then there’s “King of California” (2007), which is kind of a cult gem. Michael Douglas plays this offbeat dad who just got out of a mental hospital and ropes his daughter (Evan Rachel Wood, killing it) into a wild hunt for lost treasure buried under a Costco. It’s funny, weirdly touching, and a little tragic in all the right places. Garland helps pull together that bittersweet, off-kilter tone that makes the movie stick in your brain.