Greg Gilreath

Greg Gilreath’s filmography is honestly kind of wild—jumping from the trippy digital rabbit holes of Cam (2018) to the glossy, voyeuristic chaos of The Voyeurs (2021). If you’re into psychological thrillers that make you double-check your webcam cover, Cam probably already messed with your head. It’s this tense, neon-lit ride through the world of camgirls, where reality glitches out and identity gets hacked. Gilreath’s fingerprints are all over the tension and those “wait, is this actually happening?” moments. Then there’s The Voyeurs, which is basically Rear Window for the Instagram age—sexy, a little messed up, and way too relatable if you’ve ever gotten nosy with a neighbor’s profile. Both movies kind of play with that line between what’s public and what’s private, and honestly, Gilreath seems to love making you squirm while you watch. Now, there’s the upcoming Heart Eyes (2025), which, if the buzz is anything to go by, is set to crank up the obsession and mind games even further. Nobody’s spilling much about the plot yet, but based on his past work, you can bet it’ll be stylish, a little twisted, probably make you question your own digital habits. Gilreath doesn’t just produce movies—he curates these little anxiety bombs that stick with you long after the credits roll. If you like your films with a side of paranoia and a dash of dark humor, his stuff’s mandatory viewing.