Hana Malasan

Hana Malasan—man, she’s really been carving out a spot for herself lately. You might’ve caught her in Cinta Bete back in 2021, where her performance just sort of sneaks up on you and leaves a mark. That film, honestly, it’s got this weird grip, bouncing between raw heartbreak and this quiet kind of hope. She doesn’t do flashy, but there’s a realness to her acting that kinda sticks in your head. Then fast forward to Tunnel, 2019—totally different vibe. Darker, way more intense, claustrophobic even. Not a lot of actors can pull off that kind of tension without looking like they’re trying too hard, but Hana? She’s got that subtlety thing down. No big theatrics, just these small shifts in her eyes or the way she holds herself, and suddenly you’re right there with her, feeling every second of panic or confusion. But hey, don’t sleep on her upcoming stuff either. The Siege at Thorn High, slated for 2025, is getting some buzz already. Word on the street? She’s stepping into a whole new league, maybe even breaking into roles that’ll get her international attention. Honestly, if she keeps this up, she could end up being one of those actors you just have to watch, no matter what the project is. Feels like she’s just getting started, too. Let’s see where she goes from here.