Hannah Pfeiffer

Post-Production Audio Engineer with over eight years of getting elbows-deep in dialogue, sound design, and the kind of nitpicky details that’d drive most people crazy. From 2019 to 2024, slinging headphones as a Dialogue Editor III at IYUNO, I’ve been the go-to for English dialogue in original animation and localization, plus a bit of dabbling with AI tech and leading the pack. If you binged "Beastars Final Session" or got weird with "Akuma Kun 2024" on Netflix—yeah, my fingerprints are all over those. Before that, I was at SDI Media from 2017 to 2019, same gig—making English dialogue snap for original animation and localization. "Beastars" again (can’t escape those wolves), and, not to brag, but "Devilman Crybaby" snagged Anime of the Year while "Violet Evergarden" got people all emotional; I helped shape how those sounded in English. Not just about the big studios, either. I’ve mixed and designed sound for short films like "Lyfted" (shoutout to LGBTQ+ stories) directed by Julian Buchan and "Fine" by Channing Powell. Finished up a Bachelor’s in Audio Production at Los Angeles Film School back in 2017—so yeah, been at this for a minute. If you want dialogue that crackles, or soundscapes that actually make you feel something, you’re in my wheelhouse.