Hariram A

Dheera Bhagat Roy (2024) drops you right into the thick of things—no slow build-up, no hand-holding. The story follows Roy, this firebrand with a chip on his shoulder and a past that just won’t quit. He’s not your typical hero. There’s grit under his nails, and the city around him is a mess of chaos and opportunity. Hariram A’s direction doesn’t shy away from showing the neon-lit grime and the tangled loyalties that make up Roy’s world. Roy’s got an axe to grind, and honestly, he’s not big on subtlety. The stakes get personal fast: a family legacy that’s both a curse and a calling, some old scores to settle, and a city that seems determined to chew him up and spit him out. Along the way, you’ve got side characters who steal scenes—the best friend who’s more trouble than help, a love interest with her own agenda, and villains who actually feel dangerous, not just cardboard cutouts. The film’s not afraid to get loud—chase scenes, street fights, and those moments when Roy’s got nothing left to lose but still won’t back down. There’s heart here, sure, but also plenty of swagger and sharp dialogue. The soundtrack slaps, the emotions run high, and by the end, you’re left wondering whether Roy’s quest for justice actually saves him or just drags him deeper into the mess. One thing’s for sure: Dheera Bhagat Roy doesn’t play it safe, and that’s half the fun.