Harshil Karia

Harshil Karia’s filmography is honestly a bit of a rollercoaster, but in the best way. The Sabarmati Report (2024) stands out—no sugarcoating it. The movie plunges into the gritty aftermath of real-life events, dragging viewers through the chaos of investigation, politics, and the raw, messy truth that nobody really wants to talk about. You’ve got characters who are far from perfect—each of them juggling their own secrets, ambitions, and a mountain of pressure. The storytelling isn’t just about what happened; it’s about how people deal with disaster, and what’s left standing when the dust settles. Jump over to The Warm Blues (2022), and you’re in a totally different vibe. This one feels like a slow Sunday afternoon, somehow nostalgic and fresh at the same time. Characters drift in and out of each other’s lives, tangled up in love, regret, and the kind of quiet sadness that hangs around long after the credits roll. It’s not a loud movie, but it sticks with you—like a song you can’t get out of your head. And then there’s Letters to Mr Khanna, which is honestly just pure heart. The film works like a patchwork quilt of memories and confessions, stitched together by letters that reveal more than just words on a page. It digs into family, loss, and forgiveness, all through this simple act of writing. You walk away feeling like you’ve peeked into someone’s diary, and honestly? It’s kind of beautiful. Karia has a knack for making stories that feel both intimate and universal, and that’s no easy feat.