Howard Ellis

Howard Ellis has a pretty wild filmography, honestly. You’ve got him tangled up in the chaos of Borderlands (2024), which, let’s be real, is not your typical sci-fi flick. The guy throws himself into the insanity of Pandora, navigating a world where bandits and vault hunters are basically running the show. It’s gritty, loud, and more than a little bit unhinged. Ellis manages to balance the madness with some unexpectedly sharp humor—think explosions, big personalities, and a dash of emotional depth. Then there’s Dune (2021), which is a whole different beast. Epic, dusty, and absolutely sprawling, this movie’s all about power struggles on a planet that’s basically one giant sandbox with killer worms. Ellis isn’t front and center, but his presence has this quiet intensity, kind of like he’s carrying secrets bigger than the desert itself. Big names, bigger stakes, and Ellis fits right in, weaving through politics and betrayal without missing a beat. And hey, don’t forget Black Widow (2021). Superheroes, spies, and more action than you can shake a stick at. Ellis pops up in the middle of all the espionage, bringing a bit of edge to the Marvel universe. He’s not the guy who steals the spotlight, but he’s the one you remember in those small, crucial moments—adds a twist, brings some grit, maybe even a sly wink to the camera. Three movies, three totally different vibes, but Ellis never feels out of place. That’s range for you.