Isa Melikov

Isa Melikov, yeah, the dude’s kind of a legend in his own lane. He’s mostly known for his work on “Bucha” from 2023, which—if you haven’t at least heard whispers about it—dives straight into some raw, unsettling territory. The film doesn’t sugarcoat a thing; it just throws you into the mess, the aftermath of chaos, and lets you sit with it. Not exactly a popcorn flick, but it lingers in your head way longer than you’d expect. Melikov’s style has this almost relentless energy, like he’s not afraid to poke at the uncomfortable stuff. But hold up, that’s not all he’s got up his sleeve. “Kuklalar” from 2010? Completely different vibe. It’s got this quirky, offbeat tone, almost puppet-theater meets dark comedy, with a bit of social commentary sneaking around the edges. The characters are weirdly relatable, even when they’re acting like total oddballs. There’s this undercurrent of what it means to be manipulated, to not have control, and Melikov doesn’t let you forget it for a second. And then there’s “Zamiq Hüseynov: Uçduq” from 2005, which is more of a music video thing, but honestly, it’s got soul. The visuals are punchy, the pacing’s tight, and the whole thing just feels alive. Melikov has this knack for making even the simplest shots feel loaded with meaning. It’s not just about telling a story—it’s about making you feel something. If you’re into boundary-pushers or just want to see what real creative guts look like, his stuff’s worth a shot.