Ismail Khan

Dhoom Dhaam (2025) doesn’t pull any punches. The movie kicks off in a city that’s buzzing with chaos—traffic, neon signs, people yelling, the whole nine yards. Ismail Khan steps in as the not-so-typical hero, a guy who’s got more baggage than an airport carousel and isn’t really looking to save anyone. But you know how it goes—trouble finds him anyway. There’s this high-profile heist that throws the city into a frenzy, and suddenly everyone’s pointing fingers. Cops, gangsters, random bystanders—nobody can figure out who’s behind it, but everyone’s got a theory. Ismail’s character, in classic fashion, gets dragged into the mess by accident. He’s got old scores to settle and debts that never seem to vanish, so the stakes just keep climbing. What’s wild is how the story weaves in tech—hacking, surveillance, drones zipping around. The city kind of feels like a character itself, always shifting and unpredictable. The action scenes go off, with car chases that make your heart skip and fight sequences that don’t look choreographed—they’re raw, messy, almost improvised. The story’s not just about action, though. There’s a deeper thread about trust, betrayal, and figuring out who your real friends are when everyone’s wearing a mask. Ismail’s performance? He brings this gritty, tired charm that makes you root for him even when he’s clearly in over his head. Dhoom Dhaam just keeps you guessing—and honestly, it’s got way more going on under the surface than your usual action flick.