J.F. Castro

J.F. Castro’s filmography is kind of a ride, honestly. Saandrithazh (2023) comes at you with that raw, unfiltered look into the chaos of modern relationships—think messy love triangles, people making the worst decisions at exactly the wrong moments, and a soundtrack that just won’t quit. The characters feel like your friends, or maybe your exes, and it’s hard not to get sucked into their drama. There’s this energy running through the movie—like nobody’s really sure what’s going to happen next, and it keeps you on edge. Then there’s Antha Naal (2024), which totally flips the script. It’s part thriller, part psychological mind-bender, and definitely not the kind of movie you can half-watch while scrolling through your phone. Every little detail matters and the plot twists hit hard—sometimes a little too hard, like, you’re sitting there rethinking who you trust and what you thought you knew about the world. There’s a tension that just simmers under the surface, and the cinematography? Moody as hell. Feels like someone’s always watching. Maane Number 13 (2020) is a whole other beast. If you like horror with a heavy side of paranoia, this one’s going to stick with you. The plot drags you through haunted houses, old grudges, and a group of friends who probably should’ve just stayed home. It’s got that classic “what’s lurking in the shadows” vibe, but with a modern, almost cheeky twist. Castro doesn’t really do predictable, and that shows—every film’s a new flavor of weird and wild.