Jacob Varghese

Jacob Varghese, the guy behind some pretty memorable Kannada films, really made a mark with movies like Prithvi (2010), Savaari (2009), and Andhiyum (2006). Savaari’s got this whole road trip vibe—a love story tangled up with a bunch of quirky characters, a bit of chaos, a dash of destiny, and those long, winding shots of the countryside that just hit different. It’s not your typical boy-meets-girl thing; there’s actually some meat to it, with layered characters who aren’t just cardboard cutouts. Prithvi, on the other hand, takes a sharp turn from the light-heartedness of Savaari. The film dives into the world of politics and corruption, following an honest IAS officer thrown into the deep end. It’s gritty, tense, and honestly, you feel the weight of every decision the main guy makes. The film digs into the messiness of power and morality, and doesn’t really let you look away. Jacob’s style? He doesn’t spoon-feed you the answers. There’s this raw edge to his direction—you get the sense that he actually trusts the audience to keep up. Andhiyum is a bit more under the radar, but it’s got its own charm. The storytelling’s tighter, the emotions feel real, and it’s obvious Varghese likes exploring the grey areas in people. Across his movies, you catch glimpses of everyday life—awkward silences, little victories, the heartbreaks nobody talks about. He’s got this knack for making you root for flawed characters, and honestly, that’s rare. Varghese’s work? It sticks with you.