Personal details
- Height: 5′ 8½″ (1.74 m)
- Professions: Director, Producer, Actor
Jake Schreier. Now, there’s a name that’s been buzzing around the film and TV world for a while, though he’s not exactly splattered all over tabloids or anything. If you know, you know—this guy’s got a pretty interesting mix of projects under his belt. Let’s start with “Robot & Frank” from 2012, which is kinda like this quirky sci-fi dramedy. It’s got this retired cat burglar dude, Frank, whose life takes a weird turn when his son drops off a robot to help take care of him. Instead of the usual heartwarming old-man-and-robot shenanigans, Frank decides to make the robot his partner in crime—literally. It’s smart, kinda hilarious, honestly a bit emotional, and way more clever than your average “man learns to love his robot” flick. Fast forward a decade, Schreier jumps into TV with “Beef” in 2023. This one’s wild—think road rage on steroids that spirals into a full-blown war between two totally different people. It’s raw, strangely funny, and doesn’t pull punches. Not your standard drama, for sure. There’s a real bite to it, a kind of messy, human chaos that’s honestly addictive to watch. And now, everybody’s got their eyes on “Thunderbolts*,” dropping in 2025. Marvel territory, baby. Schreier’s taking the wheel on this one, and fans are already speculating like crazy. Villains teaming up, weird anti-hero vibes—if his past work says anything, this isn’t gonna be your run-of-the-mill superhero flick. Dude’s style? Unpredictable, a little offbeat, and definitely worth keeping tabs on.
Once upon a time, an ex-keyboardist from the indie band Francis and the Lights finds himself tangled up in a wild mix of nostalgia and chaos after leaving the group behind. He’s got this weird magnetism—like, you can’t tell if he’s spiraling or just vibing, you know? One minute he’s haunting Brooklyn dive bars, the next he’s crashing at a stranger’s loft, trying to figure out if he’s hunting for a comeback or just running from himself. The story’s loaded with awkward reunions, cryptic texts from old bandmates, and those late-night subway rides that always seem to feel a little too existential. Somewhere in all the mess, there’s a chance for redemption—or maybe just a hilarious disaster. Either way, it’s a raw, offbeat look at the price of chasing the indie dream, set to a killer soundtrack that’ll stick in your head for days.
5′ 8½″ (1.74 m)
Konidela Ram Charan