James Lamont

James Lamont’s fingerprints are all over some of the quirkiest, most unexpectedly heartfelt corners of British animation and comedy in the last decade or so. Seriously, if you’ve ever cracked up at a talking blue cat getting into existential chaos (yeah, Gumball fans, I see you), you’ve probably laughed at his jokes without even knowing it. Lamont’s got this knack for writing stuff that slides under your skin—sometimes cuddly and sweet, sometimes absolutely bonkers, but always with a kind of sneaky cleverness. Let’s talk Paddington. The 2019 reboot? That was Lamont helping to bring everyone’s favorite marmalade-loving bear back into the spotlight. And, look, it’s not just for preschoolers—grownups got sucked in too. There’s a reason Paddington’s become the gold standard for “nicecore” TV, right? Lamont’s writing just nails this pure, optimistic vibe without being sappy. Plus, the slapstick lands every time. It’s like the universe’s way of reminding us not to take ourselves too seriously. Now, The Amazing World of Gumball—it’s chaotic, meta, and just straight-up weird in the best way. Lamont’s style is all over those wild plot twists, bizarre sight gags, and blink-and-you’ll-miss-it pop culture shoutouts. You can tell he’s having fun, and honestly, so are we. And don’t sleep on Wasted, either. That one’s for the grownups—think small-town stoners, weird hallucinations, and Shaun of the Dead energy, but with even more cringe. Lamont’s writing here is sharp and messy, like your best friend’s retelling of a night out gone sideways. Basically, if you like your comedy with a side of chaos, Lamont’s your guy.