Janet Decker

Janet Decker’s filmography is honestly a wild little ride—she doesn’t show up in just any old flick. First up, you’ve got Videovore. That one? It’s a trippy, neon-drenched plunge into obsession, where screens don’t just reflect life; they straight-up devour it. People get sucked into their digital worlds, sometimes literally, and Janet’s character is caught juggling the chaos, somewhere between reality and online insanity. It’s dark, clever, and weirdly funny in parts—very Black Mirror meets late-night cable fever dream. Then there’s Neighborhood Watch (2025), which is totally a different beast. Think suburban paranoia cranked up to eleven. It’s all about those twitchy curtains and nosy neighbors, but you can’t quite tell if there’s really something sinister going down or if everyone’s just losing it from too much Nextdoor drama. Janet brings this coiled energy—she’s got secrets, you know she does, but she’s also the only one holding it together when things start spiraling. The tension? Oh, it’s thick enough to cut with a butter knife. And don’t sleep on Take Time to Dance (2025). This one’s a total vibe shift. It’s not just about dancing—although, yes, there’s some killer choreography—it’s more about second chances and finding joy when the world feels like it’s passing you by. Janet’s character is at the center, wrestling with regret and hope, and honestly, it hits harder than you’d expect. She’s raw, real, and a little bit stubborn, and you can’t help but root for her.