Jeremiah Knupp

Jeremiah Knupp’s filmography is a wild little ride, honestly. You’ve got “The Passage” from 2011, which is not some cookie-cutter indie flick. It’s moody, tense, and just when you think you know what’s happening, nope—curveball. The way Knupp handles suspense? Chef’s kiss. You’ll be clutching your drink, trust me. Then there’s “Choosing Love, Judging Love” from way back in 2004. Classic early 2000s drama, sure, but there’s this rawness to it, like Knupp wasn’t afraid to show characters being messy and imperfect. Relationships get complicated, people make stupid choices, and you’re left rooting for them even when they’re a trainwreck. It’s relatable, a little frustrating, and honestly kind of cathartic. Now, “The Damned” (2024) is where things get even spicier. It’s dark, it’s gritty, and it doesn’t hold your hand. The story digs into the nastier side of human nature. Knupp doesn’t really do “safe” storytelling—he’s more about making you uncomfortable in the best way. There’s a sense of unease that lingers, and the characters are anything but predictable. You can tell he’s got a thing for flawed people trying to claw their way through impossible situations. There’s no neat bow on the ending, either. You’ll probably end up staring at the credits, rethinking everything you just watched. That’s the Knupp experience: a bit messy, definitely bold, and absolutely unforgettable.