Jeremy Crichton

Jeremy Crichton’s name might not ring out as loudly as some Hollywood heavyweights, but if you’ve caught Beast (2022), Poor Things (2023), or Kandahar (2023), you’ve definitely seen his work in action. Beast throws you right into a tense, sweaty South African wilderness, where survival isn’t just about brute strength—it’s about keeping your wits sharp and your courage even sharper. Crichton’s fingerprints are all over the vibe, keeping the audience on edge, heartbeat racing with every twist and turn. Jump to Poor Things, and suddenly, we’re swimming in something way weirder. The film’s not shy about going wild with its visuals and bizarre narrative, and Crichton manages to make those oddball moments feel grounded. It’s kind of a fever dream, honestly, but somehow, it works. The characters are both freakish and lovable, the world’s completely off-kilter, and yet you buy into it because the storytelling’s got this sly confidence. Then we’ve got Kandahar, which is pure adrenaline. Set against a backdrop of espionage and chaos in the Middle East, it’s gritty, relentless, and doesn’t really let you catch your breath. Crichton’s style here leans hard into the tension and paranoia, but there’s still room for moments of humanity, even a dash of dark humor if you’re paying attention. The action sequences are tight, the stakes feel real, and yeah, it’s the kind of movie where you’re gripping the armrest, hoping everyone makes it out in one piece. Overall, Crichton’s work is wild, unpredictable, and definitely worth a watch if you like your movies with some bite.